Camille Pissarro
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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Camille Pissarro The Pond at Ennery oil painting


The Pond at Ennery
"The Pond at Ennery," oil on canvas, by the French artist Camille Pissarro. 31 3/4 in. x 36 in. x 3 7/8 in. Yale University Art Gallery, collection of Mr. & Mrs. Paul Mellon, B.A. 1929. Courtesy of Yale University, New Haven, Conn. cjr
Painting ID::  72958 		Camille Pissarro
The Pond at Ennery
"The Pond at Ennery," oil on canvas, by the French artist Camille Pissarro. 31 3/4 in. x 36 in. x 3 7/8 in. Yale University Art Gallery, collection of Mr. & Mrs. Paul Mellon, B.A. 1929. Courtesy of Yale University, New Haven, Conn. cjr
   
   
     
Camille Pissarro The Artist's Daughter oil painting


The Artist's Daughter
"The Artist's Daughter," oil on canvas, by the French artist Camille Pissarro. 28 5/8 in. x 23 7/16 in. Yale University Art Gallery, John Hay Whitney, B.A. 1926, M.A. (Hon.) 1956, Collection. Courtesy of Yale University, New Haven, Conn. cjr
Painting ID::  72959 		Camille Pissarro
The Artist's Daughter
"The Artist's Daughter," oil on canvas, by the French artist Camille Pissarro. 28 5/8 in. x 23 7/16 in. Yale University Art Gallery, John Hay Whitney, B.A. 1926, M.A. (Hon.) 1956, Collection. Courtesy of Yale University, New Haven, Conn. cjr
   
   
     
Camille Pissarro Selbstportrat oil painting


Selbstportrat
Date 1898 Medium Oil on canvas Dimensions 35 X 32 cm (13.78 X 12.6 in) cyf
Painting ID::  73538 		Camille Pissarro
Selbstportrat
Date 1898 Medium Oil on canvas Dimensions 35 X 32 cm (13.78 X 12.6 in) cyf
   
   
     
Camille Pissarro Vue de Saint-Ouen-l Aumone oil painting


Vue de Saint-Ouen-l Aumone
English: "Vue de Saint-Ouen-l'Aumône (View of Saint-Ouen-l'Aumône)," oil on canvas, by the French artist Camille Pissarro. 23 in. x 31 3/4 in. Yale University Art Gallery, gift of Helen G. Altschul, widow of Frank Altschul, B.A.1908. Courtesy of Yale University, New Haven, Conn. Date 1876 cyf
Painting ID::  74769 		Camille Pissarro
Vue de Saint-Ouen-l Aumone
English: "Vue de Saint-Ouen-l'Aumône (View of Saint-Ouen-l'Aumône)," oil on canvas, by the French artist Camille Pissarro. 23 in. x 31 3/4 in. Yale University Art Gallery, gift of Helen G. Altschul, widow of Frank Altschul, B.A.1908. Courtesy of Yale University, New Haven, Conn. Date 1876 cyf
   
   
     
Camille Pissarro Pond at Ennery oil painting


Pond at Ennery
English: "The Pond at Ennery," oil on canvas, by the French artist Camille Pissarro. 31 3/4 in. x 36 in. x 3 7/8 in. Yale University Art Gallery, collection of Mr. & Mrs. Paul Mellon, B.A. 1929. Courtesy of Yale University, New Haven, Conn. Date 1874 cyf
Painting ID::  74771 		Camille Pissarro
Pond at Ennery
English: "The Pond at Ennery," oil on canvas, by the French artist Camille Pissarro. 31 3/4 in. x 36 in. x 3 7/8 in. Yale University Art Gallery, collection of Mr. & Mrs. Paul Mellon, B.A. 1929. Courtesy of Yale University, New Haven, Conn. Date 1874 cyf
   
   
     
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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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